Meram Saá (Argentina 1963)
In her work the feminine is imposed as an inexhaustible source of inspiration, moving away from the standards of conventional contemporary beauty. Her sculptures address the theme of women and their environment, in a permanent experimentation with different materials and their possible combinations. Wood, iron, cardboard, all kinds of debris from everyday life, she searches for them, gathers them, takes them apart, cuts and rejoins them and sometimes mixes them, until the shapes emerge, modeling and aligning themselves naturally. Primary forms, which are repeated, sometimes lead to abstract and others to figurative artworks, but always referring to nature and thus turning them into timeless symbols.